NoNOISE II SR

NoNOISE II SR is the most complete toolset available for restoration. Designed to meet the needs of audio professionals, mastering suites, videographers and DVD production studios for the very best restoration possible.

Advanced proprietary algorithms have been developed to address the highest level of quality possible and easily outperform all other restoration tools. NoNOISE provides seamless restoration with minimal artifacts.

Award Winning

NoNOISE has been recognized with Grammy®, Emmy® and Oscar® awards as well as the Mix Technology Hall Of Fame. NoNOISE is absolutely the most impressive and pristine digital audio restoration available.


MNoNOISE II FX

• FFT and Noise Estimates

  • Detailed investigation and analysis
  • User settable interpolation buckets
  • Auto Noise Estimates

Sonic Mastering Global 4 Band minimal phase with 17 Filter Topologies

  • 64-bit double precision
  • Acclaimed Sonic EQ - 3-band minimal phase
    • Global EQ for processing during export/DDPi/playback
    • Sonic EQ stereo VST plugin
  • Extended Rates iZotope 64 bit Sample Rate Conversion

• Restoration Tools

  • Manual DeClick
    • A- through E-type interpolations to handle any click
    • Type E - DeCrackle with adjustable threshold
  • DeNoise for Broadband Noise Removal
  • DeCrackle for distortion removal
  • reNOVAtor

• Full Process Undo

  • Declick interpoloations are shown in the soundBlade EDL with a red bar over the waveform
  • Restoration interpolation processing modifies the soundfile but a full log of the changes is maintained
  • The interpolation can be removed and original 'click' can be restored at anytime

• Manual Declicking With Production Workstations

  • You can use soundBlade and Manual Declicking in conjunction with other workstations to remove clicks, pops, or distortions
  • Simply open the file into soundBlade, use Manual Declicking to correct the click(s), even while file is open on the other workstation
  • The corrections autoatically show up when playing back the file in the other workstation
  • This workflow will support most third-party production workstations such as Avid Pro Tools, Logic and others

    Request A Demo

     




  • Users Comments

      • "I use NoNOISE for the most demanding restoration and repair work." - Michael Romanowski, M. Romanowski Mastering, San Francisco



    Analysis FFT / Noise Estimates



    Export
      • FFT / Hiss View
      • Provides complete detailed spectral analysis
      • Displayed alongside audio in Project


      Export

      • Interpolation Curve Fitting
      • adjustable bin control for precision control

      • Auto Noise Estimates
      • Creates Estimate From Time Selection
      • Saves Estimate to File
      • Apply Estimates Settings for DeNoise



    Sonic Mastering EQ



    Export

    • 4-Band Global EQ
    • Double precision processing
    • Minimal phase equalization
    • 17 filter types

    • Parametric
      • first to fourth order
    • Low Pass
    • High Pass
    • Low Shelf
    • High Shelf
    • Band Pass / Band Stop
    • Notch
    • RIAA/De RIAA
    • Emph/DeEmph
    • DC/noDC
    • Sonic EQ VST Plugin





    Users Comments

      • "We use Sonic EQ, which our testing proves to be the best-sounding EQ available."" - Keith O. Johnson, Reference Records


    NoNOISE II Production DeClicking



    declick

    The NoNOISE II DeClicking is the most effective audio tool available for removing pops, unwanted transients and distortion. Unlike other tools available in many products which only operates in the time domain, the Manual DeClicker operates on audio in the frequency domain though the user interface displays a traditional time–based “timeline".

    • Type A - Pitched
    • Type B - Non–harmonic or mixed spectral content
      L => R
      R => L
    • Type C - Pitched
    • Type D - Timbrally–matched content, optimized for voice







    NoNOISE II DeCrackle



    Export

    NoNOISE II’s DeCrackling intelligently identifies and repairs the distortion that’s buried in a sound file. Select the region that needs repair and the DeCrackler will do the rest. NoNOISE II SR also includes a background DeCrackle allowing multiple files to be setup and processed while allowing foreground work.

    The Type E DeCrackler can operate on any length or duration of material, an entire program or just a short, over–modulated passage. The depth of repair is adjustable, allowing you to tailor the repair to the needs of each job.













    Users Comments

      • "The DeCrackle cleaned up noticeably more noise while maintaining sonic integrity..." - Roger Seibel, SAE Mastering, Phoenix AZ




    NoNOISE II DeNoise

    The Broadband DeNoise option, a part of the NoNOISE II restoration suite, is designed to address audio contamination from broadband or wideband noise sources. Whether the problems are electrical or acoustical, the Broadband DeNoise module can vastly improve perceived fidelity and provide a quiet, more uniform noise floor to your recordings without objectionable artifacts or any shift in timbre or room tone.



    DeNoise

    The Broadband DeNoise is available as stereo only for NoNOISE FX and NoNOISE II FR. With NoNOISE II SR the full multichannel with advanced controls is available.

    This is a real–time, foreground, user–directed mono or stereo tool. Broadband DeNoise is fully adjustable, which allows for fine control of the restoration process. The Broadband DeNoise process can also be run with default settings for cost–constrained, time–critical jobs or as a “black box,” real–time flow–through processor.



    Some impairments that Broadband DeNoise addresses include:

    • Modulation and asperity noise on analog magnetic recordings
    • Johnson noise in analog signal chains
    • Acoustical noises from engines, HVAC units, wind, water, insects & other sources
    • Colorless suppression of excessive reverberation
    • Mono, Stereo, or Multichannel Processing
    • AU Plugin (Q1/2012)








    Users Comments

      • "With the NoNOISE suite we can tackle anything clients bring in..." Thor Legvold, Sonovo Mastering, www.sonovo.no



    reNOVAtor

    reNOVAtor™ for soundBlade is a high resolution audio repair tool that eliminates problematic audio disturbances. reNOVAtor for soundBlade is pure digital magic that can successfully find and remove noise problems that other tools can't begin handle or do so with lots of objectionable artifacts.

    reNOVAtor for soundBlade provides precise definition of the impairment in both the time and frequency domains. Unlike other superficially similar tools, reNOVAtor for soundBlade does its work in the linear-phase domain, so repairs are exceptionally clean and free of artifacts, even with very high noise recordings.

    • Remove unwanted acoustical events:
    • Correct instrumental tracks
    • Recover forensic dialog & telephone actualities
    • Remove scratches and dropouts from mechanical recordings
    • Eliminate environmental noises from film & video location recordings
    • Eliminate ultrasonic disturbances from DSD recordings
    • Choose from different kinds of interpolation & re-synthesis schemes for flawless results
    • Take out heavy hum & buzz

    Features

    • Flawless operation with up to 192 kHz sampling rate
    • Extraordinary sonic results compared to any other cleaning method due to its selective spectral treatment
    • Processing performed in the linear-phase domain, preventing coloration & artifacting present in other spectral repair tools
    • Precise resizable and zoomable spectrogram with always visible metrics

    Mix magazine ran a field test of reNOVAtor. Read The Review



    Reviewer Comments

      • "“In situation after situation, reNOVAtor saved recordings that were otherwise doomed..." Mix Magazine




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